THE ART FORM OF SHORT STORIES

Voices of the Present dares to bring you a little something different to the table today. I am working on a short story course and I thought (by chance) some of you may just benefit from the course as well.

“A novel is a daily labor of love over a period of years. A novel is job. But a story can be like a mad, lovely visitor, with whom you spend a rather exciting weekend.”

-Lorrie Moore

In writing a short story, you can be bolder, wilder, than you might dare be with a novel where you’re buckled in for the long hual. The brevity of the form of short stories allows for experimentation. You can write lots of short stories, and try lots of different things.

Some authors are famous mainly for their short stories. They include: Alice Munro, Flannery O’Conner, Charles Baxter, Eudora Welty, Raymond Carver, Mary Robison, John Cheever, and Kelly Link. This is only to name a few.

If you are like me, and are interested in publishing your fiction, short stories may be a good way to start. There are many literary magazines that publish short stories. There is a searchable directory here: https://www.pw.org/literarty_magazines

Publishing our short stories in magazines may allow us to build a trach record as a professional author that can also attract the attention of literary agents.

I CAN ONLY ADVISE YOU AS I AM BEING ADVISED IN MY COURSE.

WRITING PROCESS:

As we sit down to write the first draft of our story, it states that it is probably not helpful to think too much about story-writing technique.

The teaches advised not to worry about coming up with a great beginning or writing nice sentences. We will deal with all of that later, during the revision stage.

Our first draft is for generating raw material. To turn off the analytical, judging part of our brains and tap into our imaginations. To try to lose ourselves in the daydream of the story.

I ASK YOU TO JOIN ME AS I WORK THROUGH THE FIRST ASSIGNMENT, AS I HAVE GIVEN IT TO YOU FOR FREE.

ASSIGNMENT:

We are to throw a problem at a character and see what happens.

STEP 1: Choose a name for your character. Then, imagine some more details about this person, such as:

• age
• profession
• physical description
• positive personality traits
• negative personality traits

STEP 2: Come up with three ideas for problems the character might face.

EXAMPLES:

• lost cat
• inappropriate feelings for his mother-in-law
• ghost haunting her attic

STEP 3: Choose one of the problem ideas, and make it as specific as possible. (If your idea is aready specific, you can skip this step)

EXAMPLES:

• If the problem is low self-esteem a more specific version might be: “wants to ask out the barrista at his local coffee house, but can’t believe any woman would ever be interested in him.”
• If the problem is money trouble, a more specific version might be: “lost her job, needs rent money in one week to avoid eviction.”

STEP 4: How might your character react to the problem? Come up with three ideas.

STEP 5: Now, pick one of the ideas from step 4. The character is doing it. Take a few minutes to imagine the scene. Play it like a movie in your head.

STEP 6: Now, you’re going to write one sentence about something in the scene you just imagined. This sentence should either describe a physical action, or else it should be a line of dialogue.

STEP 7: The sentence you wrote for step 6 is going to be the first line of a story. It’s okay if it comes from the middle or the end of a scene! Use it as your starting point, and see what happens.

I ASK YOU TO JOIN ME IN THIS PROCESS AND COME UP WITH IDEAS TOGETHER. WE CAN LEARN THIS PROCESS TOGETHER.

IF YOU ENJOYED THIS POST AND WOULD LIKE TO CONTINUE WORKING THROUGH THESE LESSONS WITH ME LEAVE A COMMENT.

HANNIBAL THE CANNIBAL

Hello my inquiring minds! Today I have for you a pretty interesting case. It involves a man named Robert Maudsley, an English serial killer. He killed four people, with three of those killings taking place in prison after he received a life sentence for murder.

If this sounds right up your alley and if you want to learn how he earned the nickname Hannibal the Cannibal continue reading….

Robert Maudsley was one of 12 children, born in Speke, Liverpool. He spent his early years in a Catholic orphanage in Crosby. His parents came and got him at the age of eight when he was then subject to routine physical abuse until social services eventually removed him from his parents care. He had later stated that as a child he was raped. Such early abuse had left deep psychological scars.

In the late 1960’s, when Maulsley was a teenager, he was a sex worker in London using his his income to support his drug addiction. After several suicide attempts, he was forced to seek psychiatric help. During one of these conversations with the doctors, he claimed to hear voices telling him to kill his parents. he is quoted as saying, “If I had killed my parents in 1970, none of these people would have died.”

MURDERS:

A man named John Farrell had picked up Maudsley in 1974, in Wood Green, London. Farrell picked up Maudsley for sex and showed him pictures of children he had sexually abused. Maudsley garrotted Farrell (form or strangulation by wire or metal). He then surrendered himself to the police, saying that he needed psychiatric care. Maudsley was found unfit to stand trial and was sent to Broadmoor Hospital.

In 1977 Maudsley and another resident, David Cheeseman, locked themselves in a cell with a third patient named David Francis who was a convicted child molester. Mauldsley and David Cheeseman tortured David Francis to death over a period of nine hours. After this incident, Mauldsley was convicted of manslaughter and sent to Wakefield Prison. He had disliked the transfer and made it clear he had wanted to return to Broadmoor. Maudsley was later sentenced to life imprisonment with recommendation that he never be released.

NOW in my opinion, this man told them he needed psychiatric care. WHY on earth didn’t they keep him in a locked psychiatric facility under careful watch? Get this man the help he needed?

In 1978 Maudsley would kill two more fellow prisoners at Wakefield Prison in just one day. His first victim would be Salney Darwood, who was convicted of the manslaughter of his wife. Maudsley had invited Darwood into his cell, he then garrotted and stabbed him before hiding his body under his bed. He then tried to lure other prisoners into his cell, but they refused. He then prowled the wing hunting for a second victim, eventually cornering and stabbing a prisoner, William Roberts, to death, by hacking at Robert’s skull with a makeshift dagger and struck his head against the wall multiple times. Maudsley would then calmly walk into the wing office, place the dagger on the table and tell the officer that the next roll call would be two short.

In 1983, Maudsley was deemed too dangerous for a normal cell. The prison authorities built a two-cell unit in the basement of Wakefield Prison. Due to his history of violence, when he was outside of his cell he was escorted by at least four prison officers.

NOW ON TO WHY “HANNIBAL the CANNIBAL” : Initials reports had falsely stated that he ate part of the brain of one of the men he killed in prison, which earned him the nickname among the British press and “The Brain Eater” amongst other prisoners. However, the Press Complaints Commission records that national newspapers were subsequently advised that the allegations were utrue, according to the autopsy report.

PLEASE JOIN ME NEXT TIME AND FEEL FREE TO LEAVE COMMENTS AND SUBSCRIBE.

Book or Kindle?

I just left Barnes and Noble Bookstore. In order to write a great story you have to read a good story. So my question to you is: Would you rather hold the book in your hands and feel the pages turn or would you rather read on a Kindle? Let us know. Have you read a great novel recently? We want to know.